“In a 2009 essay for the Boston Review on the poetry of the women’s movement, Honor Moore spoke of hearing Grahn read her epic poem “A Woman Is Talking to Death” in the early 1970s: ‘With this poem the whole political enterprise of feminism was subsumed by poetic means into an understanding of the complexity of the stark power relations that involve gender, race, and sexuality.’”
Mothers, fathers, clasp the children, tie them to your breast and beam like flashlights, hold the children praise them with buckets of raspberries, shiny as jelly, give them you. Show them they are green-worthy as grass in rain, lofty as kite-flying by the Bay, sharp as sunrise after an ice-storm. Grasp them, study their eyes, […]
The Complete Works of Pat Parker, Sinister Wisdom Press, 2016. This is the essential Parker collection. Not only does this volume contain all the poetry she published in her previous books—Child of Myself, Pit Stop, Womanslaughter, and Movement in Black—it also has a rich supply of prose, plays and previously unpublished poems. We first became […]
Listen to Judy
FROM SACRED BLOOD TO THE CURSE AND BEYOND
Grahn reads her article "From Sacred Blood to the Curse and Beyond" published in the anthology "," edited by Charlene Spretnak (Harper and Row, 1982). Produced by Karla Tonella.Pacific Radio Archives
What People Say
Judy Grahn is the direct inheritor of that passion for life in the woman poet, that instinct for true power, not domination, which poets like Barrett Browning, Dickinson, H.D., were asserting in their own very different ways and voices.
from On Lies, Secrets, and Silence
People always ask me about my favorite musicians but no one ever asks about my favorite poets. When I was nineteen I discovered the poetry of Judy Grahn, and I was so moved by "A Woman Is Talking to Death", it’s still one of my favorite poems ever, in the world.
Judy Grahn has done more to create a women’s literature than any other writer in the past half century.